Despite what you’ve heard, “The Newsroom” is damn good. Colbert on immigration. Ryan Lochte fires the first salvo.

I can’t remember the last TV show debut I was as excited about as “The Newsroom.”
For one thing, I couldn’t avoid hearing about it; HBO promoted the holy hell out of the new one-hour drama, on commercials, on billboards around New York City, on social media, everywhere.
But really, the biggest reason I was pumped? Aaron Sorkin, the brilliant if a little crazy creator/writer. He made one of the greatest shows of all time with “The West Wing,” two other pretty damn good shows in “Sports Night” and “Studio 60” (which I know a lot of people hated but I loved), and has written the brilliant “The Social Network” and “A Few Good Men.”

I would watch anything Aaron Sorkin has written. He has a gift for words and speaking patterns like few others ever have, and he always shoots for the highest of heights.

Before I watched Sunday’s premiere, I read several negative reviews of the new show. It’s too preachy, they said. It doesn’t get cable news close to accurately. The characters aren’t likeable. Yada, yada, yada.

Then I watched it. It was terrific. (SPOILER ALERT COMING HERE IF YOU HAVEN’T SEEN IT YET, SKIP TO THE VIDEO BELOW).
Yes, the first half-hour was a bit sanctimonious and smug. Jeff Daniels’ Will is eminently obnoxious, and Sorkin’s writing was quite a bit over the top here in setting the scene.
But about halfway through the episode, the show started to cook. Sam Waterston is fabulous as a “I don’t give a damn anymore” network news head. Emily Mortimer is a worthy foil for Daniels as his new producer (and, since it’s a Sorkin show, his former love interest. The man loves nothing more than workplace romance).
And yeah, it’s very easy in hindsight to see the way this newsroom decided to cover the Deepwater Horizon spill as a serious event immediately as the correct way.
But as I continually said to myself as I read reviews that said “this isn’t what really happens:” It’s a TV show, people! It’s entertainment. If Sorkin showed what digging and gathering on a story like this really looks like, 90 percent of the audience would be bored.

Anyway, it’s not as good as his other work yet. But “The Newsroom” has definite potential, and cracklingly good writing. Can’t wait to see it again next Sunday.

(And for Sorkin zealots like me, check out this amazing video of how often he re-uses certain dialogue with his characters.

**The major Supreme Court ruling Monday on Arizona’s wildly overreaching anti-immigration law was a good thing; most of the law was struck down as being way too stringent and unenforceable (though I loved Arizona Gov. Jan Brewer still trying to claim her side won here).

After reading about the ruling for a while, I got tired and went looking for something much more enjoyable: This Stephen Colbert take on immigration. Much funnier.

**Finally, since I used to cover Ryan Lochte for a living (I worked for his hometown paper in Daytona Beach, Fla.), I still am very interested in the incredible upward arc of his career.
He’s been beating the greatest swimmer of all-time, Michael Phelps, for about two years now, and Monday night at the U.S. Olympic Trials he did it again, besting Phelps in the 400 IM.
No, it doesn’t mean as much as the Olympics. But this is the first step in what will be an awesome duel in the pool in London in about a month.

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